how old is the air
that bubbles to the surface
of the lake? how old
are my memories my dreams?
& who breathed them before me?
— Ross Clark
Showing posts with label Ross Clark. Show all posts
Showing posts with label Ross Clark. Show all posts
Saturday, 16 July 2011
Monday, 27 June 2011
I collect feathers,
the white, black, grey ones of magpie, crow or galah,
the oil-pastel spectrum of lorikeet or budgerigar,
a kookaburra's henna and ochre brown.
- Ross Clark
Wednesday, 11 May 2011
Just After Rain
just after rain
when the water lies hesitant and pure
on the roads and
footpaths
and a few cars still have their lights on
just
after rain
when the frontyard trees sweat the last drops
from their
chlorophyll brows
and the air is promise-crammed and light
and there are
apparently more towers
in the distant city-centre than before
just
after rain
when the pets emerge from under houses
and overlong browsers
from within shops...
just
after rain
we breathe in deeply and effortlessly
we enjoy watching where we
put our feet
as we jaunt home
just
after rain
there is no other time that is not
just
after rain
- Ross Clark
Tuesday, 19 April 2011
This House A Habitat
in your house
i can casually steal an apricot from a bowl
as i pass, knowing that it is not theft.
i can look out the windows to see that
the seasons are co-operative and
the animals are free and discreet.
i can write a haiku on the frosty windowpane.
in your house
i am in a sanctuary that compels my labour
to productive ends (laborare est orare).
i can stand in front of the bookshelves
to make an afternoon a holiday.
i can read poems by their own light.
in your house
sanctity has no smell
save the fragrance of the breath of God.
– Ross Clark
i can casually steal an apricot from a bowl
as i pass, knowing that it is not theft.
i can look out the windows to see that
the seasons are co-operative and
the animals are free and discreet.
i can write a haiku on the frosty windowpane.
in your house
i am in a sanctuary that compels my labour
to productive ends (laborare est orare).
i can stand in front of the bookshelves
to make an afternoon a holiday.
i can read poems by their own light.
in your house
sanctity has no smell
save the fragrance of the breath of God.
– Ross Clark
Friday, 15 April 2011
Sleeping On The Brine
Midnight pilots the mind to miracles
or mirages. Thought lies anchored
with its crew at rest and no lookout
to warn of the interloper boarding
from the longboat: madness needs
no moonlight, stealths its way to
the wheelhouse, grapples every degree
of wind, every tackle of tide, sounds
every watch with leaden tongue,
marks every depth beyond despair,
resounds its victory in every quarter,
giving none.
- Ross Clark
Ross lived with us for a year and has been a lecturer in literature at QUT for the last few years, whilst pursuing his writing career. He is taking this year off to devote his time to full time writing as well as his music.
Burn brightly mate, Pete
or mirages. Thought lies anchored
with its crew at rest and no lookout
to warn of the interloper boarding
from the longboat: madness needs
no moonlight, stealths its way to
the wheelhouse, grapples every degree
of wind, every tackle of tide, sounds
every watch with leaden tongue,
marks every depth beyond despair,
resounds its victory in every quarter,
giving none.
- Ross Clark
Ross lived with us for a year and has been a lecturer in literature at QUT for the last few years, whilst pursuing his writing career. He is taking this year off to devote his time to full time writing as well as his music.
Burn brightly mate, Pete
Friday, 8 April 2011
Reframe
"Then the eyes of both of them were opened, and they knew that they were naked..."
Back to the framers today with 2 very different works of my own again - these are a little risque, a little religious. I'm planning on matting these two works and framing them in metallic silver frames before passing them on as gifts.There was a third in the series which was an apple and snakeskin boots but I've removed it from the equation and gone with just the snakes and nudes. The snake feels a little rough and underdone and possibly I've over-oiled the nude. I've never really used watercolours in the traditional method and these two works include some gouache to cover some of the blemishes on the white.
I have been thinking of doing some life classes out at Samford with a mate, Ross Clark, as the cost of hiring a model is prohibitive and finding someone to pose these days is not an easy task. Ross has been in my ear for a while to attend the sessions with him and they have both male and female models at good rates.
I'm hopeful that this year I can shift my inner view to an outward one and make my energies productive in the various artforms I try to engage in. This Term is my "painting term" at school for Year 9s & 10s so it makes good sense to try and push myself a little harder and develop my own painting skills a little more (though probably not with nudes).
Burn brightly, Pete
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